Allen Evans (December 8, 1849 – February 28, 1925) was an American architect and partner in the Philadelphia firm of Furness & Evans. His best known work may be the Merion Cricket Club.
He was the son of Dr. Edmund C. Evans (1813–1881) and Mary S. Allen (1816–1861), of Paoli, Pennsylvania. [1] He attended schools in West Chester, [1] followed by Polytechnic College of Pennsylvania, 1866–68. [2] He worked as a draftsman for architect Samuel Sloan, [1] and was working for Furness & Hewitt by 1872. [3]: 83 When that firm was dissolved in 1875, he remained with Furness, rising to chief draftsman, and partner in 1881. [3]: 85 Four other long-term employees were made partners in 1886, and Furness & Evans was renamed Furness, Evans & Company. [4]
Evans brought social connections to the firm, and initially designed houses for family and friends. He developed a small-scaled but vibrant version of the Shingle Style. Based on stylistic grounds, Furness expert George E. Thomas suggests that Evans made major contributions to the Seamen's Church (1878, burned 1974), " Dolobran" (1881), and "Windon" (1882). [3]: 84 He was a founding member of the Merion Cricket Club, designed its Ardmore clubhouse (1880, burned 1892), [3]: 227 and its clubhouses and other buildings in Haverford. [3]: 315–16, 321
Following the Civil War, his father purchased more than 100 acres of land northeast of Haverford Station. [3]: 185 This was later sold off in parcels to Alexander Cassatt (to build "Cheswold"), Clement Griscom (to build "Dolobran"), J. Randall Williams (to build "Harleigh"), and the Merion Cricket Club. [3]: 185 Dr. Evans and other relatives built their own country houses (and a rental property) on the land, all designed by the architect in the family.
Like his father, Evans invested in real estate. In Philadelphia, he designed and built a speculative row of four city houses (1883), west of Rittenhouse Square. The house at 237 South 21st Street became his own residence. [3]: 242 In Berwyn, he developed land on a ridge overlooking the Great Valley, and designed "Hillcrest" (ca. 1887) for William Drennan. Now known as the Mary A. Bair house, it once featured a massive three-story porch crowned by a dome. [5]
Evans designed St. Mary's Episcopal Church, Ardmore (1887), [6] where he remained an active member for the next 38 years. [7] In the Kensington section of Philadelphia, he designed St. Luke's Episcopal Church (1904) and its parish house (1905), [8] which were adjacent to Episcopal Hospital.
The Girard Trust Company Building (1905–07), at Broad & Chestnut Streets, Philadelphia, caused a rift between Evans and Furness. The initial concept for a bank building modeled on the Pantheon in Rome had been Furness's, but the bank's president rejected his participation:
My interest is in you and not in your firm, for while I have the highest respect and esteem for Mr. Furness we do not wish a building design on his well known lines. — Effingham B. Morris to Allen Evans, June 16, 1904. [3]: 89
The building was completed by Evans in partnership with McKim, Mead & White. [9] Furness had to sue him to recover a share of the architect's fee. [3]: 87
Furness, Evans & Company continued as the firm's name, even after Furness's 1912 death. [1] Evans worked at the firm until 1923, more than 50 years. [3]: 83
In retirement, Evans designed the rood screen for St. Mary's Ardmore. It was completed after his 1925 death, and dedicated by his widow. [7]
On April 25, 1876, Allen Evans married Rebecca Chalkley Lewis (1854–1927). They had six children: [10] [3]: 367
Edmund Cadwalader Evans (Allen Evan's nephew), worked for Furness, Evans & Company from 1899 to 1906. [11]
Allen Evans (December 8, 1849 – February 28, 1925) was an American architect and partner in the Philadelphia firm of Furness & Evans. His best known work may be the Merion Cricket Club.
He was the son of Dr. Edmund C. Evans (1813–1881) and Mary S. Allen (1816–1861), of Paoli, Pennsylvania. [1] He attended schools in West Chester, [1] followed by Polytechnic College of Pennsylvania, 1866–68. [2] He worked as a draftsman for architect Samuel Sloan, [1] and was working for Furness & Hewitt by 1872. [3]: 83 When that firm was dissolved in 1875, he remained with Furness, rising to chief draftsman, and partner in 1881. [3]: 85 Four other long-term employees were made partners in 1886, and Furness & Evans was renamed Furness, Evans & Company. [4]
Evans brought social connections to the firm, and initially designed houses for family and friends. He developed a small-scaled but vibrant version of the Shingle Style. Based on stylistic grounds, Furness expert George E. Thomas suggests that Evans made major contributions to the Seamen's Church (1878, burned 1974), " Dolobran" (1881), and "Windon" (1882). [3]: 84 He was a founding member of the Merion Cricket Club, designed its Ardmore clubhouse (1880, burned 1892), [3]: 227 and its clubhouses and other buildings in Haverford. [3]: 315–16, 321
Following the Civil War, his father purchased more than 100 acres of land northeast of Haverford Station. [3]: 185 This was later sold off in parcels to Alexander Cassatt (to build "Cheswold"), Clement Griscom (to build "Dolobran"), J. Randall Williams (to build "Harleigh"), and the Merion Cricket Club. [3]: 185 Dr. Evans and other relatives built their own country houses (and a rental property) on the land, all designed by the architect in the family.
Like his father, Evans invested in real estate. In Philadelphia, he designed and built a speculative row of four city houses (1883), west of Rittenhouse Square. The house at 237 South 21st Street became his own residence. [3]: 242 In Berwyn, he developed land on a ridge overlooking the Great Valley, and designed "Hillcrest" (ca. 1887) for William Drennan. Now known as the Mary A. Bair house, it once featured a massive three-story porch crowned by a dome. [5]
Evans designed St. Mary's Episcopal Church, Ardmore (1887), [6] where he remained an active member for the next 38 years. [7] In the Kensington section of Philadelphia, he designed St. Luke's Episcopal Church (1904) and its parish house (1905), [8] which were adjacent to Episcopal Hospital.
The Girard Trust Company Building (1905–07), at Broad & Chestnut Streets, Philadelphia, caused a rift between Evans and Furness. The initial concept for a bank building modeled on the Pantheon in Rome had been Furness's, but the bank's president rejected his participation:
My interest is in you and not in your firm, for while I have the highest respect and esteem for Mr. Furness we do not wish a building design on his well known lines. — Effingham B. Morris to Allen Evans, June 16, 1904. [3]: 89
The building was completed by Evans in partnership with McKim, Mead & White. [9] Furness had to sue him to recover a share of the architect's fee. [3]: 87
Furness, Evans & Company continued as the firm's name, even after Furness's 1912 death. [1] Evans worked at the firm until 1923, more than 50 years. [3]: 83
In retirement, Evans designed the rood screen for St. Mary's Ardmore. It was completed after his 1925 death, and dedicated by his widow. [7]
On April 25, 1876, Allen Evans married Rebecca Chalkley Lewis (1854–1927). They had six children: [10] [3]: 367
Edmund Cadwalader Evans (Allen Evan's nephew), worked for Furness, Evans & Company from 1899 to 1906. [11]