Efimova serves on the boards of the Carl Heidenreich Foundation,[8] Wild Projects,[9] and on the advisory board of the American Photography Archives Group (APAG).[10]
Through the Eyes of Rachel Marker: A Literary Installation by
Moira Roth. The Magnes Collection, University of California Berkeley, 2013.[12][13]
They Called Me Meyer July. The Magnes, Berkeley, 2007. Presented at The Jewish Museum (NY)[14] and Jewish Historical Museum (Amsterdam).
Acting Out:
Claude Cahun and
Marcel Moore. With guest curator Tirza True Latimer. The Magnes, Berkeley, 2005. Presented at The Frye Art Museum, Seattle, WA.
"To Touch on the Raw: The Aesthetic Affections of Socialist Realism," Art Journal (May 2014)
[2]
"On Sleep and Oblivion in Post-Soviet Film." In The Imprints of Terror : The Rhetoric of Violence and the Violence of Rhetoric in Modern Russian Culture, ed. Anna Brodsky, et al. (Wien: Sagner, 2006).[19]
Efimova serves on the boards of the Carl Heidenreich Foundation,[8] Wild Projects,[9] and on the advisory board of the American Photography Archives Group (APAG).[10]
Through the Eyes of Rachel Marker: A Literary Installation by
Moira Roth. The Magnes Collection, University of California Berkeley, 2013.[12][13]
They Called Me Meyer July. The Magnes, Berkeley, 2007. Presented at The Jewish Museum (NY)[14] and Jewish Historical Museum (Amsterdam).
Acting Out:
Claude Cahun and
Marcel Moore. With guest curator Tirza True Latimer. The Magnes, Berkeley, 2005. Presented at The Frye Art Museum, Seattle, WA.
"To Touch on the Raw: The Aesthetic Affections of Socialist Realism," Art Journal (May 2014)
[2]
"On Sleep and Oblivion in Post-Soviet Film." In The Imprints of Terror : The Rhetoric of Violence and the Violence of Rhetoric in Modern Russian Culture, ed. Anna Brodsky, et al. (Wien: Sagner, 2006).[19]