Alison Alder | |
---|---|
Born | 1958 |
Website |
alisonalder |
Alison Alder (born 1958) is an artist working predominantly within screen-printing media, technology-based works and "constructed environments" [1] to explore social issues in Australia, including Indigenous Australian communities, [2] and other organisations. [2] She co-founded the Megalo International Silkscreen Collective with a collective of activists including Colin Little, the founder of Earthworks Poster Collective, in 1980. [3]
Born in 1958, [4] Alison Alder works within multiple disciplines for her works including screen-printing, animation and installations. [1] Her works have been exhibited throughout Australia, the United States and Asia since 1982. [5] Her work is in the possession of many public and private holdings throughout the world [5] including the Cruthers Collection of Women's Art which holds 13 works. [6]
She received a Diploma of Arts from the Australian National University: School of Art and Design in Canberra in 1980. After graduating from ANU she completed a Graduate Diploma of Arts at Monash University, Victoria in 2002; she graduated from Monash University: Monash Art Design & Architecture, with a Masters of Fine Art in 2007. [7] [8]
Alder is currently an associate professor at Australian National University in Canberra and the Head of Printmedia and Drawing. [2]
Alder's works centre around "empowering communities through the visualisation of common social aims." [2] Her works focus on research of these communities which include institutions like the Museum of Australian Democracy and Indigenous communities. [2] In a 1982 interview conducted by Anne Morris in Alder's book with Julia Church – True Bird Grit – Alder mentions that she created political posters because she is a printmaker, who could produce works that were inexpensive to make and circulate, which were more accessible than television to a wide population of people during that time. [3]
Alder has been exhibiting works in group exhibitions since 1982 and has held 16 solo exhibitions. [9] Her works are held in collections throughout the world including the Cruthers Collection of Women's Art, the National Gallery of Australia and the New York Public Library Print Collection. [5]
1991
1995
1997
1998
2000
2004
2007
2009
2010
2011/12
2013
2014
2015
2017
2018/19
{{
cite book}}
: CS1 maint: multiple names: authors list (
link)
Alison Alder | |
---|---|
Born | 1958 |
Website |
alisonalder |
Alison Alder (born 1958) is an artist working predominantly within screen-printing media, technology-based works and "constructed environments" [1] to explore social issues in Australia, including Indigenous Australian communities, [2] and other organisations. [2] She co-founded the Megalo International Silkscreen Collective with a collective of activists including Colin Little, the founder of Earthworks Poster Collective, in 1980. [3]
Born in 1958, [4] Alison Alder works within multiple disciplines for her works including screen-printing, animation and installations. [1] Her works have been exhibited throughout Australia, the United States and Asia since 1982. [5] Her work is in the possession of many public and private holdings throughout the world [5] including the Cruthers Collection of Women's Art which holds 13 works. [6]
She received a Diploma of Arts from the Australian National University: School of Art and Design in Canberra in 1980. After graduating from ANU she completed a Graduate Diploma of Arts at Monash University, Victoria in 2002; she graduated from Monash University: Monash Art Design & Architecture, with a Masters of Fine Art in 2007. [7] [8]
Alder is currently an associate professor at Australian National University in Canberra and the Head of Printmedia and Drawing. [2]
Alder's works centre around "empowering communities through the visualisation of common social aims." [2] Her works focus on research of these communities which include institutions like the Museum of Australian Democracy and Indigenous communities. [2] In a 1982 interview conducted by Anne Morris in Alder's book with Julia Church – True Bird Grit – Alder mentions that she created political posters because she is a printmaker, who could produce works that were inexpensive to make and circulate, which were more accessible than television to a wide population of people during that time. [3]
Alder has been exhibiting works in group exhibitions since 1982 and has held 16 solo exhibitions. [9] Her works are held in collections throughout the world including the Cruthers Collection of Women's Art, the National Gallery of Australia and the New York Public Library Print Collection. [5]
1991
1995
1997
1998
2000
2004
2007
2009
2010
2011/12
2013
2014
2015
2017
2018/19
{{
cite book}}
: CS1 maint: multiple names: authors list (
link)