Alias John Preston | |
---|---|
![]() | |
Directed by | David MacDonald |
Written by | Paul Tabori |
Produced by |
Edward J. Danziger Harry Lee Danziger Sidney Stone (as Sid Stone) |
Starring |
Christopher Lee Alexander Knox Betta St. John |
Cinematography | Jack E. Cox (as Jack Cox) |
Edited by | Jack Baldwin Cynthia Moody |
Music by |
Edwin Astley Albert Elms |
Production company |
Danziger Productions (as Danziger Photoplays) |
Distributed by | British Lion Film Corporation (UK) |
Release date |
|
Running time | 66 minutes |
Country | United Kingdom |
Language | English |
Alias John Preston is a 1955 British 'B' [1] thriller film directed by David MacDonald and starring Christopher Lee, Betta St. John and Alexander Knox. [2] [3] A mysterious and wealthy man moves to a small village where he outwardly appears to be a friendly figure but nurses a dangerous secret. [4]
The Monthly Film Bulletin wrote: "This static and stagey melodrama is unimaginatively handled, finishing with a trick ending which explains remarkably little. Alexander Knox, as the psychiatrist, brings some degree of plausibility to the proceedings, but the playing generally is characterless." [5]
Chibnall and McFarlane in The British 'B' Film wrote: "It was a pretty botched job, over-played and under-plotted." [1]
Leslie Halliwell said: "Watchable second feature." [6]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "poor", writing: "Dreary, turgid drama: seems much longer than it is." [7]
TV Guide called the film "a poorly developed psychological drama", [8] while Allmovie described it as "an average psychological mystery worth watching for the good performances." [9]
In Offbeat: British Cinema's Curiosities, Obscurities and Forgotten Items, Jennifer Wallis wrote: "The Danzingers' high speed production accounts for the short running time. ...In the context of such whistle-stop production, Alias John Preston is an impressive feat, and in no way a bad film per se. Its tightly compacted plot and self-conscious intensity, though, tire the viewer before becoming somewhat infuriating in their transparency." [10]
Alias John Preston | |
---|---|
![]() | |
Directed by | David MacDonald |
Written by | Paul Tabori |
Produced by |
Edward J. Danziger Harry Lee Danziger Sidney Stone (as Sid Stone) |
Starring |
Christopher Lee Alexander Knox Betta St. John |
Cinematography | Jack E. Cox (as Jack Cox) |
Edited by | Jack Baldwin Cynthia Moody |
Music by |
Edwin Astley Albert Elms |
Production company |
Danziger Productions (as Danziger Photoplays) |
Distributed by | British Lion Film Corporation (UK) |
Release date |
|
Running time | 66 minutes |
Country | United Kingdom |
Language | English |
Alias John Preston is a 1955 British 'B' [1] thriller film directed by David MacDonald and starring Christopher Lee, Betta St. John and Alexander Knox. [2] [3] A mysterious and wealthy man moves to a small village where he outwardly appears to be a friendly figure but nurses a dangerous secret. [4]
The Monthly Film Bulletin wrote: "This static and stagey melodrama is unimaginatively handled, finishing with a trick ending which explains remarkably little. Alexander Knox, as the psychiatrist, brings some degree of plausibility to the proceedings, but the playing generally is characterless." [5]
Chibnall and McFarlane in The British 'B' Film wrote: "It was a pretty botched job, over-played and under-plotted." [1]
Leslie Halliwell said: "Watchable second feature." [6]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "poor", writing: "Dreary, turgid drama: seems much longer than it is." [7]
TV Guide called the film "a poorly developed psychological drama", [8] while Allmovie described it as "an average psychological mystery worth watching for the good performances." [9]
In Offbeat: British Cinema's Curiosities, Obscurities and Forgotten Items, Jennifer Wallis wrote: "The Danzingers' high speed production accounts for the short running time. ...In the context of such whistle-stop production, Alias John Preston is an impressive feat, and in no way a bad film per se. Its tightly compacted plot and self-conscious intensity, though, tire the viewer before becoming somewhat infuriating in their transparency." [10]