Aldo Trionfo | |
---|---|
Born |
Genoa, Italy | 12 December 1921
Died | 6 February 1989 Genoa, Italy | (aged 67)
Occupation | theatre director |
Aldo Trionfo (12 December 1921 – 6 February 1989) was an Italian theatre director.
Born in Genoa into a Jewish family, during the war years Trionfo was forced to escape to Lausanne where he graduated in Engineering, started practicing as a mime and became friends with Emanuele Luzzati and Alessandro Fersen. [1] Between 1947 and 1953 he worked as an actor, set designer and costume designer in the stage company "Il carrozzone". [2] Trionfo first became well known for the Avant-garde theatre "La borsa d'Arlecchino", which he founded in 1957 in his hometown. [1] [2] He was the artistic director of the Teatro Stabile in Turin between 1972 and 1976, and he directed the drama school Silvio d’Amico Academy of Dramatic Arts from 1980 to 1986. [1] [2] The World Encyclopedia of Contemporary Theatre wrote about his art: "Trionfo made a name for himself by extending the limits of classical and modern plays using the exaltation of crude and grotesque intonations". [3]
Aldo Trionfo | |
---|---|
Born |
Genoa, Italy | 12 December 1921
Died | 6 February 1989 Genoa, Italy | (aged 67)
Occupation | theatre director |
Aldo Trionfo (12 December 1921 – 6 February 1989) was an Italian theatre director.
Born in Genoa into a Jewish family, during the war years Trionfo was forced to escape to Lausanne where he graduated in Engineering, started practicing as a mime and became friends with Emanuele Luzzati and Alessandro Fersen. [1] Between 1947 and 1953 he worked as an actor, set designer and costume designer in the stage company "Il carrozzone". [2] Trionfo first became well known for the Avant-garde theatre "La borsa d'Arlecchino", which he founded in 1957 in his hometown. [1] [2] He was the artistic director of the Teatro Stabile in Turin between 1972 and 1976, and he directed the drama school Silvio d’Amico Academy of Dramatic Arts from 1980 to 1986. [1] [2] The World Encyclopedia of Contemporary Theatre wrote about his art: "Trionfo made a name for himself by extending the limits of classical and modern plays using the exaltation of crude and grotesque intonations". [3]