After Fallen Leaves | ||||
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Studio album by | ||||
Released | 1992 | |||
Recorded | October 30 & 31, 1989 | |||
Studio | Studio 9, Swedish Radio, Stockholm | |||
Genre | Jazz | |||
Length | 67:33 | |||
Label | Silkheart | |||
Roscoe Mitchell chronology | ||||
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After Fallen Leaves is an album by American jazz saxophonist Roscoe Mitchell which was recorded in 1989 and released on the Swedish Silkheart label. Mitchell joined the Brus Trio for a tour of Sweden which culminated in this studio recording. [1]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
In his review for AllMusic, Brian Olewnick states "After Fallen Leaves isn't a bad album and it's always worth hearing Mitchell, but he has more than a dozen recordings under his name that should be heard first.." [2]
The Penguin Guide to Jazz says that "There are many good moments without the session really making a coherent impact, since the trio seem eager but too unfamiliar with Mitchell's methods." [3]
After Fallen Leaves | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1992 | |||
Recorded | October 30 & 31, 1989 | |||
Studio | Studio 9, Swedish Radio, Stockholm | |||
Genre | Jazz | |||
Length | 67:33 | |||
Label | Silkheart | |||
Roscoe Mitchell chronology | ||||
|
After Fallen Leaves is an album by American jazz saxophonist Roscoe Mitchell which was recorded in 1989 and released on the Swedish Silkheart label. Mitchell joined the Brus Trio for a tour of Sweden which culminated in this studio recording. [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
In his review for AllMusic, Brian Olewnick states "After Fallen Leaves isn't a bad album and it's always worth hearing Mitchell, but he has more than a dozen recordings under his name that should be heard first.." [2]
The Penguin Guide to Jazz says that "There are many good moments without the session really making a coherent impact, since the trio seem eager but too unfamiliar with Mitchell's methods." [3]