Abraham (Abe) Ajay (1919–1998) was an American artist who was best known for his artistic contributions for The New Masses magazine during the late 1930s and early 1940s. [1] and also for his creative use of reliefs made of found objects during the 1960s and beyond. [2] Abraham Ajay was born in Altoona, Pennsylvania in 1919 [2] to Syrian immigrant parents. [2] Ajay grew up working at his father's candy store and bar in Altoona until he graduated from high school. [2] From an early age, Ajay had a passion for art and sought to harness his artistic abilities when he made the decision to move to New York City [2] to study at the Art Students League of New York, [3] and the American Artists School in Manhattan. [3]
While studying in New York, Ajay became close friends with Ad Reinhardt, [3] the art director for the left-wing culture magazine The New Masses, [3] who inspired him to begin working for the magazine. [3] Ajay's contributions during the late 1930s and early 1940s to New Masses were significant. Along with Reinhardt, Ajay helped to shape the artistic direction of New Masses during a period where the magazine incurred financial hardships. [1] Ajay's contributions of covers and cartoons helped to give New Masses a strong artistic presence despite the overall decline of the magazine during the period. [1] A lack of funding helped precipitate Ajay's departure from New Masses and as the years went on, his support for Communism waned. [1]
In the 1960s Ajay began to produce reliefs made of found objects. [4] Later his often intricate constructions, created from tooled wood, gypsum and cast plastics, reminded may art historians of the sculptures of Louise Nevelson. [4] In addition, many critics believe that Ajay's work illustrates religious architecture. It was during this time period when Ajay achieved considerable acclaim within the art community. [2]
Ajay was a professor of visual arts at State University of New York at Purchase, N.Y from 1978 until his health began deteriorating towards the mid to late 1990s. [2] Following a move back to Bethel, Connecticut, [2] Ajay died of a cerebral hemorrhage in 1998 at the age of 78. [2] He was survived by his wife, Betty Raymond. [2] Ajay's work is contained in the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum in Manhattan and the Hirshhorn Museum and Sculpture Garden in Washington. [2] In addition, Ajay's work with New Masses is available in existing copies of the magazine found throughout the country. [1]
Abraham (Abe) Ajay (1919–1998) was an American artist who was best known for his artistic contributions for The New Masses magazine during the late 1930s and early 1940s. [1] and also for his creative use of reliefs made of found objects during the 1960s and beyond. [2] Abraham Ajay was born in Altoona, Pennsylvania in 1919 [2] to Syrian immigrant parents. [2] Ajay grew up working at his father's candy store and bar in Altoona until he graduated from high school. [2] From an early age, Ajay had a passion for art and sought to harness his artistic abilities when he made the decision to move to New York City [2] to study at the Art Students League of New York, [3] and the American Artists School in Manhattan. [3]
While studying in New York, Ajay became close friends with Ad Reinhardt, [3] the art director for the left-wing culture magazine The New Masses, [3] who inspired him to begin working for the magazine. [3] Ajay's contributions during the late 1930s and early 1940s to New Masses were significant. Along with Reinhardt, Ajay helped to shape the artistic direction of New Masses during a period where the magazine incurred financial hardships. [1] Ajay's contributions of covers and cartoons helped to give New Masses a strong artistic presence despite the overall decline of the magazine during the period. [1] A lack of funding helped precipitate Ajay's departure from New Masses and as the years went on, his support for Communism waned. [1]
In the 1960s Ajay began to produce reliefs made of found objects. [4] Later his often intricate constructions, created from tooled wood, gypsum and cast plastics, reminded may art historians of the sculptures of Louise Nevelson. [4] In addition, many critics believe that Ajay's work illustrates religious architecture. It was during this time period when Ajay achieved considerable acclaim within the art community. [2]
Ajay was a professor of visual arts at State University of New York at Purchase, N.Y from 1978 until his health began deteriorating towards the mid to late 1990s. [2] Following a move back to Bethel, Connecticut, [2] Ajay died of a cerebral hemorrhage in 1998 at the age of 78. [2] He was survived by his wife, Betty Raymond. [2] Ajay's work is contained in the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum in Manhattan and the Hirshhorn Museum and Sculpture Garden in Washington. [2] In addition, Ajay's work with New Masses is available in existing copies of the magazine found throughout the country. [1]