ARTnews later named the Biennale among the decade's best shows and praised, in particular, Gioni's central exhibition for displaying self-taught artists alongside major artists.[2]
Bonami, Francesco (May 1, 2013).
"Omnivore's Dilemma". Artforum International. Archived from
the original on November 18, 2018. Retrieved June 25, 2018.
Zaugg, Isabelle Alice; Nishimura, Emi (April 2015). "Angola and Kenya Pavilions in the 2013 Venice Biennale: African Contemporary Art and Cultural Diplomacy in the 'Olympics of Art'". Journal of Arts Management, Law & Society. 45 (2): 134–149.
doi:
10.1080/10632921.2015.1039740.
ISSN1063-2921.
ARTnews later named the Biennale among the decade's best shows and praised, in particular, Gioni's central exhibition for displaying self-taught artists alongside major artists.[2]
Bonami, Francesco (May 1, 2013).
"Omnivore's Dilemma". Artforum International. Archived from
the original on November 18, 2018. Retrieved June 25, 2018.
Zaugg, Isabelle Alice; Nishimura, Emi (April 2015). "Angola and Kenya Pavilions in the 2013 Venice Biennale: African Contemporary Art and Cultural Diplomacy in the 'Olympics of Art'". Journal of Arts Management, Law & Society. 45 (2): 134–149.
doi:
10.1080/10632921.2015.1039740.
ISSN1063-2921.