Approximate peak year of the late Italian
madrigal style, as represented by Gesualdo,
Luzzaschi, Monteverdi,
Marenzio,
Monte and others.
The
serpent is invented by Canon Edmé Guillaume in Auxerre, France – it was a common instrument in Western European churches for the next several hundred years.
Paolo Bellasio – First book of madrigals for six voices (Venice: Angelo Gardano)
Valerio Bona – Litaniae et aliae laudes B. Mariae Virginis (
Litanies and other
laudas of the Blessed Virgin Mary) for four voices, Simon Tini ed. (Milan: Francesco Tini)
Third book of madrigali spirituali for six voices (Venice: Angelo Gardano)
Fourteenth book of madrigals for five voices (Venice: Angelo Gardano)
Claudio Monteverdi – Il secondo libro de madrigali a cinque voci di Claudio Monteverde Cremonese discepolo del Sig.r Ingegneri (Second book of
madrigals for five voices) (Venice: Angelo Gardano)
Approximate peak year of the late Italian
madrigal style, as represented by Gesualdo,
Luzzaschi, Monteverdi,
Marenzio,
Monte and others.
The
serpent is invented by Canon Edmé Guillaume in Auxerre, France – it was a common instrument in Western European churches for the next several hundred years.
Paolo Bellasio – First book of madrigals for six voices (Venice: Angelo Gardano)
Valerio Bona – Litaniae et aliae laudes B. Mariae Virginis (
Litanies and other
laudas of the Blessed Virgin Mary) for four voices, Simon Tini ed. (Milan: Francesco Tini)
Third book of madrigali spirituali for six voices (Venice: Angelo Gardano)
Fourteenth book of madrigals for five voices (Venice: Angelo Gardano)
Claudio Monteverdi – Il secondo libro de madrigali a cinque voci di Claudio Monteverde Cremonese discepolo del Sig.r Ingegneri (Second book of
madrigals for five voices) (Venice: Angelo Gardano)