From Wikipedia, the free encyclopedia
The Ostromir Gospels, written in Church Slavonic with many spellings reflecting the East Slavic recension, is famous for its brilliant miniatures. The opening of the Gospel of Saint John, with his Evangelist portrait.

The Ostromir Gospels ( Russian: Остромирово Евангелие) is the oldest dated book of Kievan Rus'. Archeologists have dated the Novgorod Codex, a wax writing tablet with excerpts from the Psalms, discovered in 2000, to an earlier time range, but unlike the Ostromir Gospels, it does not contain an explicit date. The Ostromir Gospels was created by deacon Gregory for his patron, Posadnik Ostromir of Novgorod, in 1056 or 1057 (the year 6564, in his dating system), probably as a gift for a monastery.

The book

The book is an illuminated manuscript Gospel Book lectionary containing only feast-day and Sunday readings. It is written in a large uncial hand in two columns on 294 parchment sheets of the size 20 x 24 cm. Each page contains eighteen lines. The book is concluded by the scribe's notice about the circumstances of its creation.

Three full page evangelist portraits survive, by two different artists, and many pages have decorative elements. The close resemblance between this and the equivalent pages in the Mstislav Lectionary suggests they are both based on a common prototype, now lost. The two artists who produced the evangelist portraits were both heavily influenced by Byzantine models, but the style of the portraits of Saints Mark and Luke seems to derive from Byzantine enamelled plaques rather than manuscripts.

Ostromir Gospel

More early Russian manuscripts have survived from Novgorod, which was never occupied by the Mongols, than any other centre. [1]

Later history

It is thought that the book was taken from one of Novgorod's monasteries to the personal collection of the Russian tsars in the Moscow Kremlin, where it was first registered in 1701. Peter the Great ordered that it be taken to St. Petersburg, where there was no mention of it until 1805, when it was discovered in the dressing room of the late Catherine the Great.

The Gospels were deposited in the Imperial Public Library in St Petersburg, where it remains. Alexander Vostokov was the first to study it in depth, demonstrating that the Church Slavonic of the manuscript reflects the Old East Slavic linguistic background of the scribe. The first facsimile edition was published under Vostokov's supervision in 1843.

In 1932, the gem-studded book-cover induced a plumber to break into a case, remove and steal the binding, and hide the parchments behind a bookcase. Although the book was quickly recovered, no replacement binding has been provided to date.

See also

References

  1. ^ Popova, Olga, Russian Illuminated Manuscripts, Thames & Hudson, London (or Braziller NY), 1984, nos 1-5, & pp 5-9

Further reading

  • Evans, Helen C. & Wixom, William D., The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261, no. 198, 1997, The Metropolitan Museum of Art, New York, ISBN  9780810965072; full text available online from The Metropolitan Museum of Art Libraries

External links

From Wikipedia, the free encyclopedia
The Ostromir Gospels, written in Church Slavonic with many spellings reflecting the East Slavic recension, is famous for its brilliant miniatures. The opening of the Gospel of Saint John, with his Evangelist portrait.

The Ostromir Gospels ( Russian: Остромирово Евангелие) is the oldest dated book of Kievan Rus'. Archeologists have dated the Novgorod Codex, a wax writing tablet with excerpts from the Psalms, discovered in 2000, to an earlier time range, but unlike the Ostromir Gospels, it does not contain an explicit date. The Ostromir Gospels was created by deacon Gregory for his patron, Posadnik Ostromir of Novgorod, in 1056 or 1057 (the year 6564, in his dating system), probably as a gift for a monastery.

The book

The book is an illuminated manuscript Gospel Book lectionary containing only feast-day and Sunday readings. It is written in a large uncial hand in two columns on 294 parchment sheets of the size 20 x 24 cm. Each page contains eighteen lines. The book is concluded by the scribe's notice about the circumstances of its creation.

Three full page evangelist portraits survive, by two different artists, and many pages have decorative elements. The close resemblance between this and the equivalent pages in the Mstislav Lectionary suggests they are both based on a common prototype, now lost. The two artists who produced the evangelist portraits were both heavily influenced by Byzantine models, but the style of the portraits of Saints Mark and Luke seems to derive from Byzantine enamelled plaques rather than manuscripts.

Ostromir Gospel

More early Russian manuscripts have survived from Novgorod, which was never occupied by the Mongols, than any other centre. [1]

Later history

It is thought that the book was taken from one of Novgorod's monasteries to the personal collection of the Russian tsars in the Moscow Kremlin, where it was first registered in 1701. Peter the Great ordered that it be taken to St. Petersburg, where there was no mention of it until 1805, when it was discovered in the dressing room of the late Catherine the Great.

The Gospels were deposited in the Imperial Public Library in St Petersburg, where it remains. Alexander Vostokov was the first to study it in depth, demonstrating that the Church Slavonic of the manuscript reflects the Old East Slavic linguistic background of the scribe. The first facsimile edition was published under Vostokov's supervision in 1843.

In 1932, the gem-studded book-cover induced a plumber to break into a case, remove and steal the binding, and hide the parchments behind a bookcase. Although the book was quickly recovered, no replacement binding has been provided to date.

See also

References

  1. ^ Popova, Olga, Russian Illuminated Manuscripts, Thames & Hudson, London (or Braziller NY), 1984, nos 1-5, & pp 5-9

Further reading

  • Evans, Helen C. & Wixom, William D., The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261, no. 198, 1997, The Metropolitan Museum of Art, New York, ISBN  9780810965072; full text available online from The Metropolitan Museum of Art Libraries

External links


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