From Wikipedia, the free encyclopedia
Map of California as an island. c. 1650. Restored version.

Johannes Vingboons (1616/1617 – Amsterdam, 20 July 1670) was a Dutch cartographer and watercolourist.

Biography

The house on the left was the Vingboons residence and the gap between the two houses is the Salamandersteeg.

Vingboons came from an artistic family. His father David Vinckboons (1576–1632) was a successful painter and, of his five brothers, Philip Vingboons and Justus Vingboons were active as architects. Johannes remained unmarried and lived with a large part of his family in an Amsterdam house and studio on Sint Antoniesbreestraat, on the corner of Hoek Salamandersteeg. He began to paint and draw in the making of maps, cartoons and paintings for his father.

After their father's death, the sons renovated the building to use as a publishing and printing house. The brothers engaged in designing, and the creation of maps and globes. Five of the six sons were for a time active as a mapmaker. From about 1640 until his death Johannes was a mapmaker, and a watercolourist in the service of the Amsterdam map publisher Joan Blaeu.

Work

By combining his traditional expertise as a cartographer with his artistic qualities as a watercolourist, he produced water colors of exotic lands based on scrupulous research. These he based on reports and sketches from masters, helmsmen and merchants on their travels under the orders of the VOC and GWC. He made city elevations, plans, coastal profiles and sea charts, combining them until he had produced a unique series of images that gave an accurate image of a large part of the world then known to Dutch trade. For many of these areas, his are the earliest images.

Johannes Vingboons, View of New Amsterdam, 1664.

Vingboons's work was unique and a sought after collector's item in its own time for rich private individuals. The largest batch, a series of 130 watercolours bound in three atlases, was bought in 1654 by queen Christina of Sweden. After her death these atlases came into the possession of Pope Alexander VIII, and now rest in the library of the Vatican. The next largest collection, more than a hundred works, is in the possession of the Nationaal Archief in The Hague. A small number of watercolours are in the Medici library in Florence. Four signed parchment world maps form part of the collection of the Nederlands Scheepvaartmuseum in Amsterdam.

A large part of his work were on show from 27 January to 15 April 2007 at the exhibition "Land in zicht! Vingboons tekent de wereld van de 17e eeuw" (Land ho! Vingboons draws the world of the 17th century) in the Kunsthal in Rotterdam, organized in cooperation with the Nationaal Archief. The majority had never been exhibited before and never will be again, because of the images' vulnerability and small size. The three bound atlases left the Vatican papal library for the first time for the exhibition.

Sources

  • The works of Johannes Vingboons online in the Atlas of Mutual Heritage
  • Johannes Vingboons in the Nationaal Archief
  • Johannes Vingboons in the Kunsthal[ permanent dead link]
  • Jacobine E. Huisken, Friso Lammertse, Het kunstbedrijf van de familie Vingboons. Schilders, architecten en kaartmakers in de gouden eeuw, Maarssen, 1989, ISBN  90-6179-073-5
  • Martine Gosselink, Paul Brood, Land in zicht. De wereld volgens Vingboons, Zwolle, 2007, ISBN  90-400-8292-8 (exhibition catalogue)
From Wikipedia, the free encyclopedia
Map of California as an island. c. 1650. Restored version.

Johannes Vingboons (1616/1617 – Amsterdam, 20 July 1670) was a Dutch cartographer and watercolourist.

Biography

The house on the left was the Vingboons residence and the gap between the two houses is the Salamandersteeg.

Vingboons came from an artistic family. His father David Vinckboons (1576–1632) was a successful painter and, of his five brothers, Philip Vingboons and Justus Vingboons were active as architects. Johannes remained unmarried and lived with a large part of his family in an Amsterdam house and studio on Sint Antoniesbreestraat, on the corner of Hoek Salamandersteeg. He began to paint and draw in the making of maps, cartoons and paintings for his father.

After their father's death, the sons renovated the building to use as a publishing and printing house. The brothers engaged in designing, and the creation of maps and globes. Five of the six sons were for a time active as a mapmaker. From about 1640 until his death Johannes was a mapmaker, and a watercolourist in the service of the Amsterdam map publisher Joan Blaeu.

Work

By combining his traditional expertise as a cartographer with his artistic qualities as a watercolourist, he produced water colors of exotic lands based on scrupulous research. These he based on reports and sketches from masters, helmsmen and merchants on their travels under the orders of the VOC and GWC. He made city elevations, plans, coastal profiles and sea charts, combining them until he had produced a unique series of images that gave an accurate image of a large part of the world then known to Dutch trade. For many of these areas, his are the earliest images.

Johannes Vingboons, View of New Amsterdam, 1664.

Vingboons's work was unique and a sought after collector's item in its own time for rich private individuals. The largest batch, a series of 130 watercolours bound in three atlases, was bought in 1654 by queen Christina of Sweden. After her death these atlases came into the possession of Pope Alexander VIII, and now rest in the library of the Vatican. The next largest collection, more than a hundred works, is in the possession of the Nationaal Archief in The Hague. A small number of watercolours are in the Medici library in Florence. Four signed parchment world maps form part of the collection of the Nederlands Scheepvaartmuseum in Amsterdam.

A large part of his work were on show from 27 January to 15 April 2007 at the exhibition "Land in zicht! Vingboons tekent de wereld van de 17e eeuw" (Land ho! Vingboons draws the world of the 17th century) in the Kunsthal in Rotterdam, organized in cooperation with the Nationaal Archief. The majority had never been exhibited before and never will be again, because of the images' vulnerability and small size. The three bound atlases left the Vatican papal library for the first time for the exhibition.

Sources

  • The works of Johannes Vingboons online in the Atlas of Mutual Heritage
  • Johannes Vingboons in the Nationaal Archief
  • Johannes Vingboons in the Kunsthal[ permanent dead link]
  • Jacobine E. Huisken, Friso Lammertse, Het kunstbedrijf van de familie Vingboons. Schilders, architecten en kaartmakers in de gouden eeuw, Maarssen, 1989, ISBN  90-6179-073-5
  • Martine Gosselink, Paul Brood, Land in zicht. De wereld volgens Vingboons, Zwolle, 2007, ISBN  90-400-8292-8 (exhibition catalogue)

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